In part one of our interview with Amanda, she talked about the (difficult!) process of adapting a short story into a short film. The catch…this story has “zero dialogue AND psychological and emotional deterioration as it’s main plot points.” Good read. Check it out.
We ended by discussing how she was shooting the film on the Canon 5D Mark II, one of the leading models in the new rage to shoot video on cameras traditionally meant to shoot stills.
The benefit to doing so is getting some amazing images that have a very cinematic feel, and shallow depth of focus. Her cinematographer Emon Hassan was able to deliver some spectacular results. Check out these two “top secret” still frames from “Her Letters.”